Learn more about Danijel Cecelja

I studied fine arts and painting at the St Lukas academy in Brussels.

“After some years of experimenting with various media, I returned to my basic technique which is drawing using ink pen. The skill is rooted in childhood and was largely forgotten during my time at the academy.

I remember as a child I was very fond of toys, and also extremely greedy: I wanted all of them. This wanting I can recall, burned through me I could hardly eat or sleep. Whenever I failed to acquire something, I would try to draw it, so to at least posses a 'flat' version of the item to be obtained. After all those years, it feels almost as if I cannot imagine an object that I have not tried to draw at some point. This is basically how I learned to draw 'out of necessity', mostly using pencil or ink pen.

And so as drawing itself became 'acquiring', its easy to get hooked; after all, drawing is free. One could say I feel the same way when drawing as a collector might feel when procuring a new item for his collection: ecstatic!

I use a rOtring rapidograph for all my drawings, starting mostly with a 0.10 and finishing with a 0.35. There is no point in looking for an even finer pen because mostly I am already pushing against the capacity limit of the carrier. I draw on the backside of an aquarelle paper. I like it better because it still has some grain, as opposed to pen-paper, which is too flat I think. I also use a hair dryer constantly to evaporate all moisture caught in the paper, this allows for more control and a tighter line. When pulling the pen, you want to hear a slight scratching sound. The summer months are more difficult to work because there is more moisture in the air, mostly I work a lot during winter and try to focus more on exposure and promotion in summer.

3 coming projects:

  • “The Godmachine” exhibition in the centre of Brussels from July 16th to July 30th ( special opening night on July 18th).
  • Co-operation project with Belgian Street artist "SFUN" for a street exhibition.
  • Danijel’s own challenge: he started a huge drawing last January (100 x 180 cm) which will take about 2 years to complete.
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